Ahead of the last show of their play Prasthaan Urfa Exit, director Alok Rajwade and writer Makarand Sathe speak to us about the process of staging the
Prasthaan gave me a chance to address it.” “There’s a wrong understanding that experimental plays don’t earn money or are not staged that often,” says Rajwade, addressing the commercial and experimental divide. Sathe, also a vocal critic of censorship of plays, shares, “It’s a Draconian practice that needs to be abolished immediately.
